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Clayton feels most alive when he’s with his grandfather, Cool Papa Byrd, and the band of Bluesmen—he can’t wait to join them, just as soon as he has a blues song of his own. But then the unthinkable happens. Cool Papa Byrd dies, and Clayton’s mother forbids Clayton from playing the blues. And Clayton knows that’s no way to live. Armed with his grandfather’s brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road. But on the journey that takes him through the New York City subways and to Washington Square Park, Clayton learns some things that surprise him. This book is brief, but with a lot of emotional depth and the expected moments of tender-hearted, childhood honesty that Williams-Garcia is known for bringing to the page. Clayton and his grandfather, Cool Papa, get along very well, and Clayton feels more connected to him than his mom or dad. His mother is not a fan of their relationship though, having had her own...

Fifteen year old Neo loves music, it punctuates her life and shapes the way she views the world. A life in radio is all she’s ever wanted. When Umzi Radio broadcasts live in a nearby bar Neo can’t resist. She sneaks out to see them, and she falls in love, with music, and the night, but also with a girl: Tale has a voice like coffee poured into a bright steel mug, and she commands the stage. It isn’t normal. Isn’t right. Neo knows that she’s supposed to go to school and get a real job and find a nice young boy to settle down with. It’s written everywhere – in childhood games, and playground questions, in the textbooks, in her parents’ faces. But Tale and music are underneath her skin, and try as she might, she can’t stop thinking about them. Warning: Spoilers  /  TW: Corrective rape, physical abuse This book is hard. I want to say I love it, but that seems like the wrong word for a novel that touches on such intense topics (physical abuse, excommunication, corrective r...

Before she became the legendary Mama Cass—one quarter of the mega-huge folk group The Mamas and the Papas—Cass Eliot was a girl from Baltimore trying to make it in the big city. After losing parts to stars like Barbra Streisand on the Broadway circuit, Cass found her place in the music world with an unlikely group of cohorts. The Mamas and the Papas released five studio albums in their three years of existence. It was at once one of the most productive (and profitable) three years any band has ever had, and also one of the most bizarre and dysfunctional groups of people to ever come together to make music. Through it all, Cass struggled to keep sight of her dreams—and her very identity. This graphic novel is so refreshing. It discusses a real-life, incredible talent, and is also entirely body positive! How amazing is that?! It shouldn't be such an amazing thing in this day and age, but I think California Dreamin'  is a book with a lot of potential to discuss body image, w...

Natasha: I’m a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is twelve hours away from being deported to Jamaica. Falling in love with him won’t be my story. Daniel: I’ve always been the good son, the good student, living up to my parents’ high expectations. Never the poet. Or the dreamer. But when I see her, I forget about all that. Something about Natasha makes me think that fate has something much more extraordinary in store—for both of us. The Universe: Every moment in our lives has brought us to this single moment. A million futures lie before us. Which one will come true? Serendipitous happenstance is the chain holding together the events of this beautifully written novel. I liked Everything, Everything  quite a lot, but I think Nicola Yoon's style and and narrative skills have...