LitBit Speaks

Luke feels like he’s been looking after Toby his entire life. He patches Toby up when Toby’s father, a drunk and a petty criminal, beats on him, he gives him a place to stay, and he diffuses the situation at school when wise-cracking Toby inevitably gets into fights. Someday, Luke and Toby will leave this small town, riding the tails of Luke’s wrestling scholarship, and never look back. But during their senior year, they begin to drift apart. Luke is dealing with his unreliable mother and her new boyfriend. And Toby unwittingly begins to get drawn into his father’s world, and falls for an older woman. All their long-held dreams seem to be unraveling. This book is a lot of things. It is difficult to read, but it is worth reading for some many reasons. Bliss's narrative is like a well-intentioned punch in the gut (if that makes any sense... it does to me...) We'll Fly Away  is about love and family, hopefulness and hopelessness, friendship and sex, crime and consequences...

The three of them—a twelve-year-old boy, his older brother, their father—have won the war : the father’s term for his bitter divorce and custody battle. They leave their Kansas home and drive through the night to Albuquerque, eager to begin again, united by the thrilling possibility of carving out a new life together. The boys go to school, join basketball teams, make friends. Meanwhile their father works from home, smoking cheap cigars to hide another smell. But soon the little missteps—the dead-eyed absentmindedness, the late night noises, the comings and goings of increasingly odd characters—become sinister, and the boys find themselves watching their father change, grow erratic, then violent. This is a tough book to read. I need to make that clear straight away. This is where I put a trigger warning and note: child abuse, drug use, psychological trauma, death threats. If these are issues that will trigger you, then it is a good idea to let this one past. THAT BEING SAID, ...

Fifteen year old Neo loves music, it punctuates her life and shapes the way she views the world. A life in radio is all she’s ever wanted. When Umzi Radio broadcasts live in a nearby bar Neo can’t resist. She sneaks out to see them, and she falls in love, with music, and the night, but also with a girl: Tale has a voice like coffee poured into a bright steel mug, and she commands the stage. It isn’t normal. Isn’t right. Neo knows that she’s supposed to go to school and get a real job and find a nice young boy to settle down with. It’s written everywhere – in childhood games, and playground questions, in the textbooks, in her parents’ faces. But Tale and music are underneath her skin, and try as she might, she can’t stop thinking about them. Warning: Spoilers  /  TW: Corrective rape, physical abuse This book is hard. I want to say I love it, but that seems like the wrong word for a novel that touches on such intense topics (physical abuse, excommunication, corrective r...

When Adam Blake lands the best elective ever in his senior year, serving as an aide to the school psychologist, he thinks he's got it made. Sure, it means a lot of sitting around, which isn't easy for a guy with ADHD, but he can't complain, since he gets to spend the period texting all his friends. Then the doctor asks him to track down the troubled freshman who keeps dodging her, and Adam discovers that the boy is Julian--the foster brother he hasn't seen in five years. Adam is ecstatic to be reunited. At first, Julian seems like the boy he once knew. He's still kind hearted. He still writes stories and loves picture books meant for little kids. But as they spend more time together, Adam realizes that Julian is keeping secrets, like where he hides during the middle of the day, and what's really going on inside his house. Adam is determined to help him, but his involvement could cost both boys their lives. One thing I love in YA is strong male friendships....